1. I began the fourth day of my time in rural north central Pennsylvania by downing an energy drink and trying my best to wake up quickly before exiting the motel room to head over to Wellsboro to meet the rest of the crew. I found it amazing how fast my body will wake up when I have fun and exciting things on my schedule. If it was a typical work day, my body would have been like a Ziploc bag full of oatmeal. Yet, there I was on that morning, very tired but fully awake because of the adrenaline that kicked in as soon as my eyes opened. Each filming morning required me to be at Director Mark’s house in the next town over from where I was staying by 8:15am. No matter what time I managed to fall asleep, I was alive and kicking by 6:30am at the latest.
2. This was the first day that we would all be heading to the cabin to shoot. We were lucky in that Mark knew someone with a cabin nearly in the middle of nowhere. They were willing to allow us to use it for nothing. We had gone a few nights earlier to clean the cabin to get it camera-ready. That day, we packed up gear, loaded the food I had bought at Walmart, picked up anyone who needed to carpool, and started the journey to the tiny township of Osceola. I thought Mansfield was small, with a population of just under 3,000. Nothing prepared me for Osceola. Its population is under 600. On each of the drives out to the cabin, we would pass by many dilapidated houses. These looked like if you got a flat and needed to ask for help, you’d be shot before your foot touched the grass on the edge of their property. In fact, there was one time when Mark had to stop to wait for another car to catch up. I was carpooling with him. I was on my guard as we parked in front of one of these sketchy houses. When a person stepped out onto their porch, I was ready to duck and cover. There were never any issues with anyone on the drives out to the cabin, but it felt like the threat was always there.
3. A daily highlight on my drives, not only to the cabin, but just around where I was in Pennsylvania, was the fog and clouds. The elevation in the area ranges from 1,000 to 2,000 feet, and so there were times, especially in the morning, when the fog and clouds would be right at eye level or just above. We get tons of fog on Cape Cod; the spring is the worst of it. However, I hadn’t seen it hovering just off the ground, the same with the clouds. I couldn’t get any photos while I was driving, but managed to grab one while on a drive out to the cabin on that first day of shooting. It won’t do justice to how cool it was, but it’s better than nothing. Mark told me that the fog/clouds and the heat lightning that I found so exciting were so routine that it didn’t even faze him. I guess it’s the same as how I feel about the summer traffic on Cape Cod. No, wait, that’s never exciting or fun.
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| Looking at the fog on the horizon traveling toward Osceola. |
4. The cabin itself was an interesting character not only in the film but for my trip in general. I mentioned the obnoxious amount of stuffed animals inside, and not the cuddly ones kids have on their beds. We arrived and, first off, had to turn on the power. This would come into play a few times throughout the shoot. There was a breaker for the pump, which allowed us to have running water. Not wanting to overdo it, we would only flip the switch for short bursts periodically when we needed to use water or the bathroom. I was honestly fine with just wandering off behind some bushes, but I know that’s not for everyone. We unpacked the food and set up the props, lighting, and scenery we needed. Even though we were only there for two full days, it did feel like we were arriving at an Airbnb. There were a few perishable items we brought: meat, cheese, and bottled water, so we had to shove them in the fridge. Surprisingly, the fridge was full. We didn’t get too excited, though; it was mostly condiments and copious amounts of beer, which I am sure the cabin owners had counted. There would be some time to explore the cabin thoroughly, but once we had everything settled, it was time to dive right into shooting.
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| A pano shot showing how isolated we were. |
5. It’s funny, regarding the trip in general, I can tell how busy the days were by just how many photos and videos I got. This day was the busiest by far, with the following day being only slightly less busy. It should come as no surprise that, since we were shooting at a cabin roughly a mile from anything that the cell reception was nearly nonexistent. I would get flashes of one bar of service, but it was never anything that allowed me to post any updates on social media. I was, for all intents and purposes, off the radar for two entire days. I still shot a handful of videos on this day. I even began uploading one to Instagram around 10:30am. By the time we left the cabin, which was close to 9pm, that story was maybe 30% uploaded. I ended up canceling that upload and throwing all of the footage up once I got back to my motel room and civilization.
6. Being that we had a small cast and a small budget, I had a feeling that I might end up with a role or two in the film. One came about by my own foolishness. I was checking over the script while still on Cape Cod, and on the first page, in the very first scene, I saw that there was a character that I never cast. It was another friend of Will, the main character, who is being given the lowdown about why he was quitting his job. Since I was pressed for time, I decided to just record those lines myself, so that was my first role. Secondly, I took on the role of an investigator near the end of the film. This was relatively small, so I wasn’t too worried about remembering lines. This role was memorable because it came with a costume. Mark’s son Anthony, who is such a sweet person and a very talented visual effects person, brought this hefty trench coat with him. I agreed to wear it in my role as the investigator. The trench coat was memorable for two reasons. For one, it was 85 degrees and humid, so wearing it was like having a portable sauna. Secondly, it was too big. I looked like a five-year-old who got into daddy’s clothes. All I could do was laugh when the cameras weren’t rolling, of course. I was so inspired by the incredible acting jobs that Cody and Jeff did that I took on some extra lines and lightened the load for Michael, who played another police officer. A funny thing that won’t come through in the film is that my character was interacting with Cody’s character in a scene. The only issue was Cody had to run home to let his dog out. So we shot my scene with me interrogating an empty chair off-screen. I got really intense too. I hope I scared that invisible ghost I was yelling at.
7. As far as my roles in The Cabin go, we save the best for last. My third role ended up being that of the mysterious creature that stalks the main character. Coming into the shoot, I don’t think any of us had a clue who would be in that role. I had brought the outfit for the creature from my own closet. Anthony had made the mask. So we had the creature costume but nobody to play it. I didn’t need to have my arm twisted too much to play the role. For one, it had no dialogue, just a lot of growls, grunts, and howls. Also, it was another perfect full-circle moment. When I used to make skits with my friends with my camcorder in the 1990s, I enjoyed being a bit of a stuntman. I would fall and throw myself around to make things look good. Granted, I was now 30 years older, but how much different could it be? The answer was very similar but also very different. I had to get made up in the monster garb, which included a horrifying mask with one tiny eye hole for sight. There were also copious amounts of blood to make me look as gross as possible. A fun little issue came after nearly every scene where the neck of the mask needed to be tucked back into the collar of the shirt I was wearing. I looked a bit like a cross between Jason from Friday the 13th Part 4 and Sloth from The Goonies. The setup was all good to go, but could I pull off being the creature?
8. Yes. But seriously, we shot the initial monster scenes at night, and so with very little vision I had to basically use The Force to make my way around. This included crashing through a door, killing one person convincingly with no real way to see them, and then viciously trying to bash my way through another door. I was told that my performance terrified the others. Mark said as he was filming that he thought I was going to really break the door down, but he didn’t want to stop me. I left blood all over the cabin, some of which we wouldn’t find until it was time for us to pack up and leave. The initial crashing through the door was nuts. I went all out. Not being able to see much in the dark and with a quarter-sized eye hole made it easy for me to appear to be wild. I was throwing chairs, growling, and causing utter chaos. The only downer was one guy whining that I got blood on his shirt. It’s like, you’re acting in a movie; nobody forced you to come. Later on, as we were all leaving, we saw him pulled over in his vehicle, changing his shirt. He must have had a date that he didn’t want to know what he was up to. I would have another crack at being the creature the next day, but we’ll get to that when the time arrives.
9. Throughout our time out at the cabin, I tried to manifest a nature encounter. I saw a few deer, including one that walked into the front yard to eat apples. There was a rabbit that really seemed to enjoy hanging out in the back yard by the shed. Those were all well and good, but what I wanted was a black bear. Oh, I’m sure if I had been jumped by a bear I’d have regretted asking for it, but I never got the chance. I didn’t go all out and start playing bear calls on my phone or anything, but we were in the middle of nowhere in bear country; I mean, come on. A few times I wandered up into this clearing behind the cabin hoping that I’d sneak up on a bear foraging for berries. Yes, I did think to myself how stupid and dangerous it was, but damn it, I wanted photos of Yogi doing stuff. The closest I got to a black bear while in Pennsylvania came when I was walking the bike trail earlier in the week. I heard some noises coming from maybe 20-30 feet in the woods off the trail. I figured it was either a group of squirrels or maybe a deer. Mark said it was more than likely a bear since they like to forage for food in areas like that. I never saw it, so there’s no proof, but Mark lives out there and would know better than me. Therefore, I am considering it a near-miss with a black bear. In the future, the story will evolve into me fighting for my life against the bear, which is why I was unable to get any photographic evidence.
10. There were several hilarious moments during our shooting at the cabin. One that only became funny after the fact was as follows. It was broad daylight, but we needed to get some night scenes done. This required some lighting trickery, including shooting day for night, which will mostly be applied during post-production. A more practical way to make day look like night is to cover windows with something black. We had a sheet that would do the trick. First, Anthony and I tried taping the sheet over the window from the inside. This was a failure and included us losing the tape as soon as we put it down, despite neither of us moving from where we stood. It ended up being wedged between the mattress and the side of the frame. We even sent Michael outside to see if somehow we dropped it out the window. The next bright idea was taping the sheet to a pair of lighting stands outside and raising it up to block the window. The sheet was taped, but as soon as we attempted to lift it, everything unraveled, and the sheet fell to the muddy ground. Yes, the ground was soft and muddy, which made everything else harder. Finally, Mark found a ladder, and we were able to nail the sheet to the window frame. It ended up being like a scene right out of the Three Stooges. It took five of us about a half hour to get that sheet in place. We nearly forgot to take it down when we were leaving too. I could only imagine the cabin owners showing up and seeing a window totally blacked out. They’d probably have started wondering what type of movie we had been shooting.
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| Three Stooges Seal of Approval |
11. Being on a tight budget, you have to become creative. I wish we had a more robust budget to use on props and effects, but that wasn’t the case for The Cabin. In the script, there is a scene that includes the main character finding the dead deer. Sure, we could have found stock footage of a deer to put in post. But what made more sense was grabbing one of the many, many deer heads off the wall and using it as practical effects. I grabbed one, which weighed next to nothing, and brought it outside to lay in the grass. It ended up working perfectly. Cody came around the corner of the cabin and spotted the dead deer, brilliantly shot by Mark. In the script, it is supposed to be all bloodied up, but that probably can be done in post-production. We just needed the one shot and then to get it back on the wall no worse for wear. My greatest fear was that I had hung it back up improperly and that it had somehow fallen off the wall and been destroyed. I figure if that had happened, the cabin owner would have called Mark, and at least as of this writing, I have heard nothing about damaged deer heads.
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| The one in the middle was used in the film. |
12. After a long day of filming, you can get hungry. Sure, we had a lot of food that I got from Walmart; that was part of the budget after all. But finger foods like granola bars, donuts, bags of chips, and even peanut butter and jelly sandwiches don’t fill you up unless you eat a ton all at once. I had been picking at stuff when we had the chance, so by the time we called ‘cut’ to end the day, which was close to 9pm, I was starving. As I was in Mark’s car, being brought back to his house where my rental was, my wheels were turning as far as where I could go to grab something quick for dinner. I only knew a few places along my driving route back to the motel. One was a McDonald’s located maybe two minutes from the motel. I decided, why not? I was technically on vacation, right? Something exciting, but also troublesome for me, that I discovered was the fact that I could pay for my food through the app using Venmo. Not only was everything slightly cheaper than on Cape Cod, but now I could just click one button, and it was paid. I grew up in the analog age of the 1980s and 1990s. Most things I learned about now require fewer steps, which I don’t mind. I think if you grew up before technology took over, you appreciate the advances. If you are born into a world where everything is simple and convenient, you likely don’t appreciate it. I didn’t think about that much while enjoying my late-night dinner, though. All I could do was eat and hope that my adrenaline wore off soon enough so that I could get a relatively good night’s sleep before another full day of filming.
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| I became very familiar with this spot |
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